Throughout this first season Albert Wesker is the single video game character to appear, while the events of the games – which are 100% canon here, it seems – are only fleetingly whispered about.Īnd that will really be the series’ biggest hurdle for many this could basically be any sci-fi horror series, so scarcely does it feel like it exists within the world of the Resident Evil we know. The most obvious touchstones are Raccoon City, Umbrella, and Albert Wesker, yet anyone hoping for a more direct engagement with the series’ lore will surely be left disappointed.
It’s a franchise-adjacent setup that mostly forges its own path while tangentially drawing from scraps of the source material. An adult Jade (Ella Balinska) is one such survivor, though her life is thrown into a tailspin once again when she’s chased down by Umbrella for reasons that become clear later. The T-virus has transformed the majority of the global population into “zeroes” – that is, zombies – while the few survivors eke out a miserable existence in walled refugee cities. Meanwhile in 2036, the world has gone to six shades of hell. It doesn’t take a genius to figure out where things go from here. There, the company is developing an antidepressant called Joy, which as it turns out contains a derivative of the dreaded T-virus and, in higher doses, causes the virus to become activated. To continue his work, Wesker is relocated to New Raccoon City in South Africa – a city bought and designed by Umbrella. Albert Wesker (Lance Reddick), a high-flying employee of slyly malevolent pharma-corp Umbrella. The 2022 narrative takes place three months before an apocalyptic event referred to as “The End,” focused on 14-year-old twin sisters Jade (Tamara Smart) and Billie (Siena Agudong), daughters of Dr. Resident Evil’s story unfolds over two far-flung timelines – 20. All in all, it’s neither as bad as you feared nor as good as you hoped.
NOOT FLEEX SERIES
And yet, this new riff more often feels like a boilerplate sci-fi horror series cheekily bent to fit the franchise branding.
NOOT FLEEX TV
Now it falls to TV to try and pick up the slack, then, with Netflix’s big-budget, eight-part take on the IP, developed by Supernatural showrunner Andrew Dabb. Anderson’s entertainingly campy 2002 movie, the Resident Evil films have rarely risen above low-effort schlock, and even last year’s more source-faithful Resident Evil: Welcome to Raccoon City failed to make much of a dent. With CSS custom properties, we can combine them with the calc() function to achieve the effect of container proportional scaling.Shaun Munro reviews Netflix’s new live-action Resident Evil series…ĭespite being one of the most popular, iconic, and seemingly cinema-ready video game franchises there is, the track record of Resident Evil’s live-action adaptations to date is spotty-at-best, and that’s if we’re being really kind.īeyond Paul W.S. * It is used to increase the height of aspectratio-container */ Width: 50vmin /* Users set values according to their needs */ For example, pictures and videos on Facebook:īefore the emergence of _aspect-ratio_ in CSS, some Hack methods were often used to realize similar effects, such as padding-top or padding-bottom. There will be more requirements in this area, especially for those doing media-related development, such as videos and images. As we all know, the terminals we face when developing Web pages are more complex, and the aspect ratios of these terminals are different. Here is the Part 1 CSS Proportional ScalingĬSS proportional scaling generally means the height of the container changes proportionally to the width."This is also called the aspect ratio in many cases.
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